The Death of Priam by Johann Andreas Herrlein

The Death of Priam c. 1760

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painting, oil-paint

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narrative-art

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baroque

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painting

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oil-paint

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figuration

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history-painting

Dimensions: 40.4 x 132.3 cm

Copyright: Public Domain

Johann Andreas Herrlein captured "The Death of Priam" in oil on canvas. The painting's composition divides into two distinct yet interconnected spaces: a foreground where human drama unfolds and a background consumed by flames. The muted color palette of browns and dark reds reinforces a somber tone, punctuated by stark whites that highlight the figures' expressive gestures and terror. Herrlein masterfully utilizes the principles of Baroque drama, a theatrical style that draws the viewer into an emotional experience. The scene is charged with chaos and despair, where the linear arrangement of figures in the foreground leads to the vanishing point in the fiery background, creating a sense of depth and immersion. It presents a study in contrasts—the vulnerability of the figures against the brutality of war. Note how the use of light and shadow enhances the emotional intensity, creating a visual representation of the triumph of chaos over order. The structure of the painting underscores the ephemeral nature of human existence set against the backdrop of historical conflict.

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stadelmuseum's Profile Picture
stadelmuseum over 1 year ago

The elongated horizontal format suggests that both paintings originally decorated for the spaces above doors. Their subjects are taken from the Aeneid, which was written by the Roman poet Virgil as a “sequel” to Homer’s Iliad. Aeneas originally came from Troy. When the fate of that city was already sealed, he witnessed the murder of the aged king Priam. Fearing for the life of his own father, he saved him from the burning city. After a tortuous journey he was given a friendly welcome by King Latinus in Italy, where he became the progenitor of the Romans.

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