Moses Striking the Rock c. 18th century

Editor: This is François Bourlier's "Moses Striking the Rock," housed here at the Harvard Art Museums. It's captivating, but the composition feels almost staged. What do you see in this piece, focusing on its formal qualities? Curator: Notice how Bourlier has meticulously arranged the figures, almost like a tableau vivant. The lines of sight converge towards the cascading water, creating a focal point. Editor: The contrast between the dark rock and the lighter figures is striking, isn't it? Curator: Indeed. It's a masterful use of chiaroscuro to create depth and drama. The rendering of drapery adds to the overall effect. The composition and line work really lead the viewer's eye. Editor: So, it's not just about the subject matter, but how Bourlier uses form to tell the story? Curator: Precisely. The artist is really interested in shape and form to produce an ideal image. Editor: I never would have noticed that without your help. Thank you. Curator: My pleasure. It's all about seeing the art in the art.