Portret van een vrouw by Albert Greiner

Portret van een vrouw 1861 - 1874

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photography, albumen-print

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portrait

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photography

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albumen-print

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realism

Dimensions: height 83 mm, width 50 mm

Copyright: Rijks Museum: Open Domain

Editor: So, here we have "Portret van een vrouw," made between 1861 and 1874, artist Albert Greiner, an albumen print. I find the subject’s direct gaze and stillness very compelling, almost haunting. What resonates with you most about this portrait? Curator: I’m drawn to the subtle symbolism embedded within what might appear a straightforward portrait. Notice her posture, the way she clasps her hands. In that era, it speaks of both constraint and quiet determination. Does that ring true to you? Editor: Yes, there is something very composed, yet maybe a little sad in the way she clasps her hands, and the simple clothing does contrast against her serious gaze. Do you think the sparseness contributes to that impression? Curator: Absolutely. It forces us to focus on her face, her expression, which carries the weight of untold stories. Think of the albumen print itself. Light, silver, and egg whites were used to immortalize her likeness. Do these materials evoke something for you? Editor: I hadn't considered that before. Now that you mention the material, that makes me reflect upon how we preserve memory, and the traces of history within these objects. Are there particular historical events of that period that add further context to our reading of this woman’s character? Curator: Indeed. Consider the social norms of the time. Female roles were quite defined. This photograph then, a deliberate act of self-representation, becomes a potent symbol of emerging individual identity within those constraints. She chooses how she will be seen, remembered. The directness of her gaze challenges the passive role often assigned to women in portraiture. Editor: That makes the gaze seem far more deliberate. I never would have picked that up without your perspective. It almost feels like she's challenging the viewer directly. Curator: Precisely! Her gaze becomes an active force, an assertion of her existence. I have found new layers in this photo with you. Editor: And I appreciate understanding the many levels of cultural information communicated here.

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