Saint Francis 1638

Editor: This is Claude Mellan's Saint Francis, the date is unknown, but Mellan lived from 1598 to 1688. It's currently housed at Harvard Art Museums. I find the contrast between light and shadow really striking. What stands out to you? Curator: The formal construction relies heavily on line, doesn't it? Note the direction and density of lines, which produce the varying tones and textures. The engraver masterfully uses a single tool to create a complex interplay of light and shadow, defining the figure and the surrounding landscape. Consider how these linear patterns engage the viewer. Editor: It’s almost like a drawing, not an engraving. It's so detailed. Curator: Precisely! The formal qualities elevate it beyond mere reproduction to a distinctive work of art. Note Mellan's commitment to line, and how he uses it to evoke both form and emotion. Editor: It's amazing how much detail he got just from lines. Thanks for pointing that out! Curator: It is a testament to what can be achieved with line alone.