Jyagong 1928

Nicholas Roerich painted Jyagong at an unknown date with oil on canvas. Look at how Roerich built this world with color and simple brushstrokes. It’s all about process, laying down one color next to another, each mark informing the next. The texture in this piece isn’t trying to hide, you can almost feel the push and pull of the brush. The mountains in the background are really interesting; notice how they're not just grey but have these cool blue undertones. It gives them a weightiness that's almost palpable. The landscape in the foreground is a mix of earthy browns and yellows, applied with such simplicity. Take a closer look at how the brushstrokes in the sky create a sense of movement, as if the clouds are actually drifting. Roerich reminds me a little of Marsden Hartley, both artists seeking out something spiritual in the landscape. Art is about a conversation, isn't it? It’s always changing, always open to new interpretations.