Landschap met een pad tussen twee boerderijen door, in de achtergrond een molen 1865 - 19210

This etching, made by Louis Adolphe Jacobs, captures a landscape with a path between two farmhouses, and a mill in the background, through a swarm of tiny marks. The whole thing feels like a whispered memory. Up close, the surface reveals a network of fine lines, hatching and cross-hatching, which together conjure the texture of the grass and foliage. Look at the way Jacobs renders the sky, it’s not a solid block, but a field of these precise marks that give the illusion of light and atmosphere. It’s about a place, but also, very much, about a process. The small, repetitive marks remind me of the dense, all-over compositions of Agnes Martin, or even some of those pointillist painters. Like them, Jacobs embraces the quiet energy of incremental mark making, building a whole world out of simple, repeated gestures. Art is just people talking to each other, across time.