Catharina Wasilowna wordt tijdens haar bruiloft overvallen door de Russen by Daniel Nikolaus Chodowiecki

Catharina Wasilowna wordt tijdens haar bruiloft overvallen door de Russen 1792

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Dimensions: height 111 mm, width 75 mm

Copyright: Rijks Museum: Open Domain

Curator: This print, created in 1792 by Daniel Nikolaus Chodowiecki, is titled "Catharina Wasilowna wordt tijdens haar bruiloft overvallen door de Russen," which translates to "Catharina Wasilowna is attacked by the Russians during her wedding." Editor: My goodness, what a wedding crasher situation! It's so chaotic, and yet all in these delicate, precise lines of an engraving. There's something inherently jarring about the refined technique portraying such brute force. It almost makes me giggle with a nervous energy. Curator: The artwork depicts a pivotal historical moment with clear visual storytelling. We can analyze this through a gendered lens, thinking about power and the vulnerability of women, even one ascending to power, amidst violent political upheaval. Editor: Right, because this Catharina – soon to be Catherine the Great – she’s literally surrounded! You see figures everywhere. Men wielding swords, some seemingly trying to protect her. It is kind of a mess. And, what's going on with that upturned chair, adds another comedic edge. Is that a sign of resistance or accidental clumsiness during a coup? Curator: Perhaps both! What's intriguing here is that Chodowiecki made a print about this event so many years afterwards; that invites interesting speculation as to his reasons for immortalizing such an act in reproducible form, in doing so, situating Catherine’s rise to power as one that must include an initial act of subjugation and the necessity to seize power. Editor: Ah, so he's not exactly framing it as a triumphant narrative, but maybe more about laying bare the grim reality behind the glitz and glam of imperial ascent? I'm kind of fixated on her facial expression. Is that terror? Or just intense determination? Curator: I'd suggest, interpreting expression through a gendered lens becomes necessary because women's emotions, especially historically, were very fraught with a certain need to categorize, perhaps diminishing complex displays. This particular reading allows a deeper understanding of power dynamics during times of transition. Editor: See, to me that hints to how people might actually react if that really were your big wedding day. A truly, truly bizarre scene to be printed like this... a real mixed message. I think Chodowiecki wanted to shock! Curator: Right. It's not merely historical illustration, it is deeply provocative narrative meant to make the viewer reassess Catherine's ascendency. It definitely lends a sharp, questioning edge to the legacy. Editor: A whirlwind indeed; chaotic and insightful all at once. Curator: A story that begs multiple viewpoints.

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