St. George and St. Theodore Stratelates 1220

Editor: Here we have "St. George and St. Theodore Stratelates," a tempera on wood panel dating from around 1220. The piece strikes me as remarkably vivid despite its age, especially in the contrast between the gold and the deep reds. What captures your attention most about it? Curator: The icon exemplifies Byzantine art through its sophisticated use of line and color, functioning as a symbolic representation rather than a realistic depiction. The reverse perspective employed emphasizes the spiritual dimension, with lines diverging as they recede, inviting the viewer into the sacred space. Editor: The reverse perspective is something I’ve never noticed before. Curator: Consider how the artists achieve depth and form. The application of tempera in successive layers creates a luminous quality. Also, notice the formalized rendering of the figures; this stylization, removing individual characteristics, elevates them to archetypal representations of saintly ideals. Editor: It's interesting that you point out the lack of realism. Were there symbolic meanings behind the color choices as well? Curator: Undoubtedly. Gold, in Byzantine icons, traditionally symbolizes divine light and purity. The reds might signify the blood of Christ, as well as representing earthly power. Further visual analysis shows that the symmetrical composition underscores the unity and harmony of the celestial and terrestrial realms. Editor: It sounds like every artistic choice had layers of significance. Curator: Precisely. Analyzing the formal elements opens pathways for interpreting the rich symbolic layers embedded within the artwork. A truly devotional and aesthetic achievement, in my estimation. Editor: I see that, looking again. I understand much more about it now.