print, photography, gelatin-silver-print
pictorialism
photography
gelatin-silver-print
modernism
realism
Dimensions 107 mm (height) x 81 mm (width) (billedmaal)
Editor: This is Alfred Stieglitz’s gelatin silver print, “Herbert Seligmann at Lake George," which was created sometime between 1864 and 1946. I find it's stark and feels very direct as a portrait. What strikes you most about its composition and technical elements? Curator: Immediately, I am drawn to the tonal range achieved within the gelatin silver process. Consider how Stieglitz manipulates light and shadow. Notice the almost ethereal glow of the background versus the sharp definition of Seligmann's features. How does that contrast affect your reading? Editor: It makes Seligmann seem very present, but almost detached from his surroundings. He's defined while everything else is light. I guess what I mean is that he seems highlighted but separate. It’s like this intimate portrait that has a detached feeling from it, it makes you think more about who Stieglitz decided to make a portrait of. Curator: Precisely. Stieglitz masterfully employs pictorialism, a style emphasizing artistic effect. But the photograph's modernism also emerges through its inherent realism. The detail within the frame and stark composition contribute greatly to its modernity. Have you considered the use of line and form in creating a focal point, here clearly around the gaze? Editor: Yes, absolutely. Now that you point it out, the shapes made by the shirt collar and glasses guide the eye right to his face, adding to the photo's intensity, right? Also, it being black and white takes away any potential for color distracting you. I initially looked at it as a direct portrait but I understand why we can talk about realism and modernism in it too, beyond it simply being a picture of a person in regular clothing. Curator: Yes, the lines create vectors leading toward the subject. Examining these techniques shows that Stieglitz did more than simply take a picture; he shaped and framed it into his personal and modern vision. Editor: It’s amazing to consider how technical aspects shape a picture’s core message!
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