Rooftops 1916

Editor: Here we have Morton Schamberg's "Rooftops," a 1916 photograph. The sharp angles and the almost oppressive density of the buildings create such a feeling of enclosure. What symbolic elements do you find particularly striking in this image? Curator: The "cityscape," though static, vibrates with visual weight and compressed social energies. Observe how Schamberg directs your gaze downward, toward what is typically unseen or ignored - the space *between* things, behind, and on top of. This perspective wasn't typical at the time, and it reminds me of other such views like, for instance, a garden that feels both sheltered and confined, which triggers my mind of old beliefs where gardens serve as liminal spaces between the mundane and something more arcane. Does the downward view remind you of a particular belief or story? Editor: Hmm, I see what you mean. Perhaps, almost like looking down from above is seeing the secret parts of ourselves or our societies. The way people really live as opposed to what they present. But looking at how he organized this work compositionally is pretty striking, and, well, kind of eerie. I mean look at that weird cross shape on the side of that white building. That certainly carries weight for viewers then and now, right? Curator: Absolutely. While seemingly just architectural, consider how that stark geometric symbol echoes against the organic chaos of the courtyard below. Juxtaposition here hints at deeper societal structures impinging upon the natural, even within the compressed urban environment. Are we looking at mere coincidence, or is Schamberg suggesting a veiled commentary on industrial encroachment or the changing social constructs of that era? Editor: It is definitely something to ponder. This little photographic gem is packing a punch by contrasting symbols in such interesting, nuanced ways! Thank you. Curator: Indeed. And our perceptions continue to evolve with new contextual layers, enriching its ongoing story.