Female Image. From the series 'Search for Pushkin's Female Images' by Hryhorii Havrylenko

Female Image. From the series 'Search for Pushkin's Female Images' 1970

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hryhoriihavrylenko

Private Collection

drawing, pencil, graphite

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editorial cover design

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portrait

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pencil drawn

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drawing

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light pencil work

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head

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face

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pencil sketch

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figuration

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portrait reference

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sketch

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cover design

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pencil

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line

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graphite

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nose

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portrait drawing

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pencil work

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a lot negative space

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remaining negative space

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forehead

Curator: I’m struck by the stark simplicity. It’s a portrait, yes, but there’s a ghostly, unfinished quality to it. Editor: It certainly has a delicate feel. This is "Female Image. From the series 'Search for Pushkin's Female Images'," a pencil drawing by Hryhorii Havrylenko, dating from 1970. It's currently held in a private collection. The series title is quite suggestive... Curator: Pushkin's female images, right. He immortalized many of them. So Havrylenko is not just capturing a likeness; he’s channeling an archetype, a cultural memory. The sketch-like quality actually enhances that; it’s as if he’s conjuring her from the collective imagination. Editor: Indeed. The cross-hatching, the way the lines build up around her face… it's almost like an attempt to define something elusive. You see how he focuses on the face, leaving the body merely suggested, fading away into all that negative space? Curator: That contrast is powerful. The defined facial features give her a concrete presence, but the fading form… that speaks to the idealized, perhaps unattainable, nature of these images that Pushkin created and which continue to resonate in the culture. The weight of history, almost. Editor: Absolutely. And there’s a melancholy in her gaze, isn’t there? Considering Pushkin's turbulent life and his untimely death, I find myself wondering what he may have symbolized in Soviet-era Ukrainian art circles... a sort of cultural golden age before repressions? Curator: A fascinating point. Perhaps Havrylenko uses this image, the face, as a carrier for broader meditations on the relationship between art and political control... between cultural memory and present reality. The drawing becomes a quiet act of resistance. Editor: Thank you. The work makes me reflect on how certain images accrue meaning and serve as potent symbols across generations, their forms so evocative that the precise referent becomes less important than the emotional charge. Curator: An intriguing insight! Thinking about "Female Image" this way, it stands as both a specific artistic piece and as an exploration of history's complex visual and emotional layers.

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