Volupte 1901

Théophile Alexandre Steinlen drew "Volupte" probably around the turn of the century, with what looks like charcoal or a soft pencil. The real trick with drawing, as with painting, is knowing when to stop, and Steinlen shows us his process, rather than trying to hide it. Look at the way the marks build up softly, defining the forms with layered, almost smudged lines. The lightest touch suggests the fall of light on the woman's dress and the curves of the sleeping cat. Notice the subtle shading around the man's face, creating depth and shadow. It's a simple technique, but the effect is so intimate, as though we've stepped into a quiet, personal moment. You can see echoes of Daumier in Steinlen's work, and maybe a hint of Degas in the casual domesticity of the scene. But ultimately, it's the feeling of warmth and gentle observation that makes this drawing so appealing. It's about the quiet pleasure of being together, lost in a book or a nap, and that's something we can all relate to.