The Brown Sisters, Grantham, New Hampshire by Nicholas Nixon

The Brown Sisters, Grantham, New Hampshire 1994

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photography, gelatin-silver-print

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contemporary

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black and white photography

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photography

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group-portraits

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gelatin-silver-print

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modernism

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portrait photography

Dimensions: overall: 20.3 x 25.3 cm (8 x 9 15/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: This is Nicholas Nixon's "The Brown Sisters, Grantham, New Hampshire," a gelatin-silver print created in 1994. It is one of a series of annual portraits. Editor: Immediately, I'm struck by the almost painful directness of their gazes, amplified by the black and white medium, it feels both intimate and starkly exposed. Curator: Right, and it is part of Nixon’s commitment to picturing everyday subjects. This work and the series it belongs to speaks to evolving relationships, particularly those of women within a patriarchal society, while inviting a deep reflection on the construction of the feminine self as perceived through decades of cultural shifts and changes. Editor: Structurally, Nixon employs a consistent framework each year, it seems. A static arrangement highlighting, for me, the minute variations in light, texture, and the nuances of expression in each sister. Curator: These women willingly participate in a tradition of representation. It explores ideas surrounding female representation in the arts; how, typically, women have been passive objects of a male gaze, compared to Nixon's subjects who knowingly confront the camera on their own terms. Editor: And while this agency exists, it raises complex questions about objectivity versus artistic construction within portraiture. Curator: Yes, it challenges us to look beyond pure aesthetic form. Nixon invites critical consideration about who is seen, how they are seen, and for what purposes. The act of observing transforms into active reading within broader discussions of societal power structures and ethical responsibility. Editor: Still, one cannot deny the strength of Nixon's approach. Its understated presentation, in the tonality, the compositions, highlights the passage of time and leaves a powerful imprint on viewers. Curator: It’s an emotional time capsule capturing individual lives intersecting with generational expectations and sociopolitical landscapes through visuality. Editor: It prompts close looking in every respect.

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