Saint Matthias; Saint Paul before 1585

Curator: This is a fascinating engraving by Anton Wierix II, titled "Saint Matthias; Saint Paul," currently residing at the Harvard Art Museums. The sheet measures about 27 by 36 centimeters, with two distinct panels showcasing each saint. Editor: Immediately, there's this sense of dynamic tension, isn't there? Matthias seems serene, almost resigned, while Paul is caught in the midst of some divine drama—sword raised, book in hand. It really makes me want to know what materials went into making this piece. Curator: Wierix was a master engraver, and you can see his expertise in the fine lines and detailed shading. Consider the way he used the burin to create texture in the robes and background. Editor: It's more than texture; it's almost like emotional weather! Matthias feels heavy, grounded; Paul is all fire and lightning. It’s the colors too—muted earth tones versus that electrifying blue. Curator: I think understanding the printing techniques of the time and the dissemination of these images is key here. These prints were often part of larger publications meant for widespread consumption. Editor: True, but as a viewer, I feel an immediate, almost visceral connection to these saints. They feel so alive, so caught up in their own stories. Curator: Ultimately, examining the context and the materials helps us understand the artist's intent and the societal impact of these images. Editor: And for me, it's about feeling the artist's hand, imagining myself in that moment of creation, channeling those raw emotions. That’s where the real story lives.