Card 326, from the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes 1885 - 1891
drawing, print, c-print, photography, gelatin-silver-print, albumen-print
portrait
drawing
still-life-photography
impressionism
c-print
figuration
photography
coloured pencil
gelatin-silver-print
modernism
albumen-print
realism
Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)
Curator: What a find! This is card 326 from the "Actors and Actresses" series produced by Allen & Ginter for Virginia Brights Cigarettes, dating back to the late 19th century. Editor: It possesses a soft, dreamlike quality. It's mostly warm monochrome, a young woman looking wistfully out of frame. Curator: Allen & Ginter were pioneers in cigarette card production, these little albumen prints offered a glimpse into a broader world, but really functioned to stiffen the cigarette packs for shipping, didn't they? It’s pure industrial marketing leveraging celebrity and collecting trends. Editor: Absolutely. And the sitter, perched almost precariously against the rocks, exudes a sense of both vulnerability and practiced pose. Her costume with it’s low décolletage and high shoes speak to the allure of the stage. It really places her in a cultural moment, doesn’t it? Curator: Indeed, the albumen printing process was the dominant photographic technique during this period. I'm curious about the labor involved in producing thousands upon thousands of these cards and inserting them into each pack. Editor: Cigarettes have such a complicated cultural symbolism! The tobacco, the flame... In her gaze, I perceive a romantic longing and perhaps, fleeting youth; images that spoke to both the masculine smoker and the feminine object to be attained. Curator: Also notice how the brand, Virginia Brights, is prominently featured beneath the figure, essentially making her image function as another element in the marketing apparatus of tobacco consumption, equating her desirability with smoking these cigarettes. Editor: Exactly, and she sits among, shall we say, rugged elements, almost literally grounded while at the same time, she is meant to lift the consumer up. To desire. It is masterful manipulation, visually, of course, but deeply psychological in the intent and potential impact. Curator: Looking at it from a social perspective, we must remember this era’s restrictive attitudes toward female performers. This card both celebrated and commodified them, creating complex dynamics of power, objectification, and artistry. Editor: Seeing it this way reveals its lasting fascination as a product and reflection of its time. Thanks, that was quite revealing. Curator: And to see its deeper visual mechanics and place in production; equally fascinating. Thank you.
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