9. Table IX. Combination of the Features of the Modest 

Editor: Here we have Alexander Cozens' "9. Table IX. Combination of the Features of the Modest," held at the Tate. It's a delicate sketch, almost ghostly. What do you see in this piece, considering its formal qualities? Curator: Observe how Cozens employs line. It's not about volume or depth, but about suggesting form through minimal means. Note the contouring of the face and the almost calligraphic treatment of the hair. Do you find any emotive qualities arising from the lines themselves? Editor: I see a certain elegance in the simplicity, but also maybe a hint of detachment because it's not fully rendered. Curator: Precisely. The lack of shading emphasizes the abstract nature of the work. The sketch transcends mere representation. It becomes an exploration of form itself. Editor: I see what you mean. Focusing on the form allows for an interesting perspective. Thanks! Curator: Indeed. It's a testament to the power of suggestion and the beauty inherent in pure, unadorned line.