Rustend schaap, en profil by Marcus de Bye

Rustend schaap, en profil 1657

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drawing, print, etching, ink

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drawing

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animal

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dutch-golden-age

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print

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pen sketch

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etching

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pencil sketch

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landscape

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ink

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pen-ink sketch

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realism

Dimensions: height 74 mm, width 114 mm

Copyright: Rijks Museum: Open Domain

Curator: It's rather comforting. A large, almost comically fluffy sheep just lounging there in the grass. The etching feels very immediate, almost like a quick sketch. Editor: Indeed. What strikes me about this image—"Resting Sheep, in Profile," by Marcus de Bye, dated 1657 and held at the Rijksmuseum—is the potent contrast between pastoral idyll and economic reality inherent in the depiction of livestock during the Dutch Golden Age. Curator: I can see that. There’s something undeniably Dutch about it, a certain earthiness. Beyond the immediate appearance of simple pastoral life, you're suggesting there's a whole narrative about land, trade, and wealth tied into even a humble image like this? Editor: Precisely. Consider the Dutch Republic's ascendance during this era, built substantially upon agrarian surplus and overseas trade. Even a seemingly innocuous portrayal of a resting sheep can be read through a lens of capitalist expansion and its effects on rural life, as livestock transformed from simple sustenance to a commodity. Curator: You know, when you put it that way, the way the sheep just sits there, so self-contained, almost smug, it could represent the sort of stolid prosperity of the time, unbothered by any worries beyond chewing its cud. Editor: And let us not forget the role of wool and textiles in the Dutch economy. This seemingly relaxed creature directly links to systems of production and consumption that fuelled the nation’s prosperity but also entrenched social and economic inequalities. It might seem radical to assign that significance, but art so often reflects unspoken societal values and the material conditions of its production. Curator: It certainly invites a re-evaluation of how we perceive seemingly simple bucolic imagery. The personal is political and all that, right? Thanks for shifting my perspective. Editor: It's my pleasure. De Bye’s simple sheep reminds us to question the narratives embedded within even the most placid artistic visions. Art gives a voice to history.

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