Correction #64 1998

Pablo Rey made this painting, Correction #64, using paint on canvas, and it's like a big, colorful scribble. It's all about the energy of the lines, like he's wrestling with the colors and marks, trying to figure something out right there on the canvas. I'm really drawn to how the colors layer up – the red lines dancing over the blues and greens. You can almost feel the motion of his hand, the way he flicked the brush to make those thin black lines. It's not about perfection, it's about the process. Look at the top-right corner, where the red lines are thickest. It's like he's correcting something, going over it again and again until it feels right. It reminds me a bit of Cy Twombly's messy, poetic scrawls, that sense of searching for meaning through the act of painting. It embraces the idea that art doesn't always have to be neat and tidy; it can be a messy, beautiful exploration.