One Diamond, from the Playing Cards series (N84) to promote Turkish Cross-Cut Cigarettes for W. Duke, Sons and Co. by W. Duke, Sons & Co.

One Diamond, from the Playing Cards series (N84) to promote Turkish Cross-Cut Cigarettes for W. Duke, Sons and Co. 1888

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drawing, graphic-art, lithograph, print

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drawing

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graphic-art

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aged paper

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toned paper

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lithograph

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ink paper printed

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print

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impressionism

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Curator: This unassuming little card is "One Diamond, from the Playing Cards series (N84)" designed around 1888 to promote Turkish Cross-Cut Cigarettes for W. Duke, Sons and Co. Editor: My first thought is the striking simplicity. The single red diamond on the toned paper. It's stark and feels deliberately…sparse. Curator: Indeed. These cards, lithographed prints, were inserted into cigarette packs. The goal, beyond advertising, was to encourage collecting, fostering brand loyalty through engagement with consumers. They represent the rise of mass consumer culture. Editor: Ah, the lure of freebies and addiction! I'm struck by how this little piece embodies industrial printing processes and how advertising transformed craft. These tobacco companies weaponized material culture; the lithograph became more than decoration—it became a disposable commodity. Curator: Absolutely, we often forget the intersection of art and commerce, especially during the Gilded Age. This card offers insight into the techniques employed to cultivate new markets. Cigarette companies aimed to elevate their brand, associating it with games, leisure and status. Editor: It seems almost like an art for art's sake piece in its design… But really, it's pure calculated consumerism through labor and readily available supplies. Did these cigarette cards commonly incorporate such graphic minimalism? Curator: Designs varied wildly, incorporating elaborate illustrations and photography as well as the simpler approach here. The "Playing Cards" series sought universality. Everyone understands the suits and numbers on playing cards; it’s accessible. Editor: That makes me think of distribution chains. To achieve brand power in many global markets such as the one in Turkey, all raw resources to distribution networks were pushed to maximum efficiency. No corner left untouched! Curator: Yes, from harvesting the raw tobacco to producing lithographic prints and moving stock through the nation...It illustrates the growing role of mass media and advertising in shaping perceptions. Editor: A lot to unpack from such a seemingly simple artifact! Thanks for bringing forward insights on the card’s history; it emphasizes that its value really resides in production as well as consumption. Curator: It reminds us to critically examine the role that seemingly innocuous images can play in normalizing consumption and disseminating ideologies in late 19th century.

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