Naboth in his Vineyard by James Smetham

Naboth in his Vineyard 1856

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Dimensions: support: 222 x 171 mm frame: 346 x 301 x 48 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: James Smetham's “Naboth in his Vineyard” presents a compact scene, rich with Biblical narrative. Editor: It feels... wistful, doesn't it? That hazy light and the slumbering figures give it a dreamlike quality, almost as if painted from memory. Curator: Precisely. Smetham was deeply religious and often explored biblical themes. The image draws from the story of Naboth, who refused to sell his ancestral vineyard to King Ahab. You see Ahab lurking amongst the leaves above. Editor: The vineyard is such a potent symbol. Here, it's almost suffocating, laden with grapes and a sense of unease. The sleeping child, so vulnerable, unaware of the brewing conflict above. Curator: Absolutely. The grapes themselves, ripe and heavy, could symbolize abundance, but also the tragic consequences of greed and injustice. It’s such a complicated painting. Editor: It’s a complex little world—Smetham’s captured the beauty and menace intertwined. It’s a reminder that even in a pastoral scene, shadows lurk.

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tate about 2 months ago

http://www.tate.org.uk/art/artworks/smetham-naboth-in-his-vineyard-n03203

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tate about 2 months ago

This picture illustrates the Old Testament story of Naboth – a parable of the sin of covetousness. Naboth owned a vineyard next to the palace of Ahab, King of Samaria. He is peering down on Naboth here. Ahab desired the vineyard but Naboth refused to give it up. So Ahab’s wife, Jezebel, had him stoned to death on a false charge of blasphemy. Ahab then seized the vineyard.Smetham, a Methodist, produced a number of religious works which were praised by Dante Gabriel Rossetti and the critic John Ruskin. But he had little public success. Gallery label, July 2007