The Old Mount Vernon 1857

Eastman Johnson painted "The Old Mount Vernon," capturing the historic estate with what appears to be an everyday scene. Here, architectural structures such as the pillars of the veranda act as symbols of classical virtues. Note how these pillars are reminiscent of ancient Greek temples, emblems of reason and order, adapted into the American landscape. We find similar use of classical motifs in architecture throughout history, from the Roman Empire to the Renaissance, each time imbued with the values of that era. Even the unadorned façade of the house speaks volumes, reflecting a conscious connection with the past. Consider how collective memory shapes such design choices. The builders and viewers unconsciously project their aspirations and cultural ideals onto these forms. It is as if the past is always present, influencing our sense of identity and aspiration. These symbols of pillars engage our emotions as they have for generations, connecting us to a lineage of values, constantly resurrected in new forms.