Saint Remigius by Leonhard Beck

Saint Remigius 1510

0:00
0:00

print, woodcut

# 

portrait

# 

medieval

# 

pen drawing

# 

print

# 

figuration

# 

woodcut

Dimensions: sheet (trimmed to image): 23.8 x 21.2 cm (9 3/8 x 8 3/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Check out this arresting woodcut, "Saint Remigius" by Leonhard Beck, created around 1510. What grabs you right away? Editor: It feels so serious, so rigidly posed. All those sharp, dark lines carving out this imposing figure. It's almost intimidating, isn't it? Like he's about to pass judgment or something. Curator: The precision is incredible for a woodcut of this era, a testament to the meticulous skill needed to carve those tiny, telling lines. The print emphasizes St. Remigius, not only a saint but the Bishop of Reims who famously baptized Clovis, king of the Franks, marking a turning point in the history of Christianity. Editor: The symbols, though! Talk about overloaded! The halo, of course. That weird mask thing hanging in the background, and is that his personal heraldry at the base of the throne? And what's that little pile on the floor in front? Curator: Indeed. Those emblems tie the figure to cultural memory. The Vera Icon hanging behind is associated with the legendary Veil of Veronica, used to wipe Christ's face on the way to Calvary, preserving the true likeness of Jesus, an especially meaningful symbol within certain strands of Medieval art and religion. The heraldry, too, reinforces his rank and ties him to specific territorial and familial identities. And you picked up on that round thing. It looks a little like a weird sponge, and no one really knows what it is! Editor: That weird sponge is so strange that is distracting me to the rest of the print. To think about the historical, spiritual, and personal symbols embedded in this single image, how these forms and tokens acted as visual shorthands for deeper beliefs and associations. Curator: The continuity, or transformation, of specific images offers a thread connecting this individual piece to something broader—not just art history, but cultural history. What we choose to depict, how, and why, reveals layers of information, especially concerning social status. Editor: Right! Art as archive, as message-in-a-bottle. A surprisingly severe but, you know, meticulously and even lovingly rendered message in this instance, right? All those tiny lines lovingly carved to ensure a specific understanding... Amazing! Curator: A revealing journey through symbols and artistic skill. A deep dive into belief and craft!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.