St Paul’s by  George Thomson

St Paul’s c. 1897

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Dimensions: support: 635 x 762 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: George Thomson's "St Paul's" presents the iconic cathedral amidst the bustling cityscape. Editor: The muted palette evokes a sense of quiet grandeur, almost as if time stands still despite the industrial activity. Curator: Thomson painted this scene during a period of intense social change in London, with industrialisation reshaping the urban landscape and class disparities growing starker. Editor: Notice the compositional balance—the dome's solid geometry anchors the scene, contrasting with the more loosely painted buildings. The crane intrudes, asserting the changing face of London. Curator: I see the cathedral as a symbol of enduring power, a patriarchal structure amidst the chaos, overshadowing the lives and labour represented by those industrial elements. Editor: Perhaps, but the cathedral's sheer mass and volume, depicted with such meticulous detail, are undeniably the focal point, a testament to architectural ambition. Curator: Ultimately, Thomson's painting captures a city in transition, negotiating its past and future. Editor: A study in contrasts, beautifully rendered.

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tate 5 months ago

http://www.tate.org.uk/art/artworks/thomson-st-pauls-n03506

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tate 5 months ago

This is one of a series of pictures that Thomson made of St Paul's Cathedral from different vantage points and under varying lighting conditions. According to D.S. MacColl, Steer rescued this picture from Thomson's studio floor presumably before it was first shown at the NEAC spring exhibition of 1898, where it was praised by the critics. In 1889 Thomson had figured in the one and only exhibition of the London Impressionists, a group that included Sickert, who believed that the urban scenery of the capital was a valid subject for Impressionist painting. Thomson suspended his interest in Impressionism in the mid 1890s in favour of Spanish Old Master style painting, but later turned again to Monet. Gallery label, September 2004