Dimensions: image: 681 x 857 mm
Copyright: © The estate of Richard Hamilton | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: So this is Richard Hamilton's "Stage Proof 6". It's undated, but the palette and sharp, blocky shapes feel very Pop Art to me. It gives a sense of obscured reality, like looking at something you shouldn't. What’s your take on it? Curator: I think that’s a perfect starting point. Hamilton often explored the blurred lines between image and reality. This piece, with its almost harsh simplicity, kind of reminds me of looking at a half-remembered dream. What are we seeing, and why are they hiding their eyes? Editor: It's like a commentary on spectatorship, maybe? The act of observing, and choosing not to see. Curator: Exactly! Perhaps Hamilton is asking us to question our role in the image, not just passively consume it. It makes you think, doesn't it? Editor: Definitely gives you a lot to chew on. It's amazing how much can be conveyed with so little detail.
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http://www.tate.org.uk/art/artworks/hamilton-stage-proof-6-p02421
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Release – Stage Proofs 1-13 and 16-19 (P02416-32; the series is incomplete) is a group of seventeen prints showing the process of building up colour to make the print Release (P04254). Each proof represents the successive addition of a screen, made from a hand-cut stencil, used to apply a particular colour. The completed print Release combines the seventeen colour screens, each used once, and the photographic black screen which has the texture of an imprint on canvas as well as the photographic halftone, used twice.