Portret van een staande jonge vrouw in bruiskleding by Doisen

Portret van een staande jonge vrouw in bruiskleding 1890 - 1920

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photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

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19th century

Dimensions height 139 mm, width 98 mm

Curator: Ah, this photograph holds such delicate solemnity. The museum catalogs it as "Portret van een staande jonge vrouw in bruiskleding" or, in English, “Portrait of a Standing Young Woman in Bride's Clothing”. Created sometime between 1890 and 1920 by Doisen. Editor: Bride's clothing, but is she actually a bride? Or, more likely, about to attend First Communion? There’s such a dreamlike quality to this gelatin-silver print—a softness, almost like looking back at a memory through fog. Curator: It certainly has that nostalgic feel, doesn't it? The girl stands in full light, clasping what looks like a prayer book. But observe the composition more carefully. The hazy backdrop, those rather theatrical columns... everything feels quite staged. Editor: Staged, but deliberately so, I think. Consider the verticality here: the stark columns and even her rigid posture contribute to that sense. She almost melts into the stark background as it fights with the details of the veil. There is even that single pearl strand that draws the eye in, acting as a semiotic tool, of purity. Curator: It is really about contrasting surfaces isn't it. That said, the dress dominates the work. Its material appearance—from photographic values—looks so tactile in a manner not dissimilar to how Manet conveyed the dresses of his sitters. This image is, formally, playing with many layers and themes. Editor: Yes, the dress indeed holds the bulk of the semiotic potential, both drawing attention to her innocence, and also giving volume and gravity to a solemn day. However, there is no great complexity or innovation on show here. Curator: Perhaps not innovation, but rather quiet reflection and tradition. Looking at this image now I remember a feeling. Something wistful, for simpler times when taking a portrait really meant something. Editor: Perhaps that's its power. Even with the calculated composition, the haze and nostalgic qualities really manage to elicit emotional engagement, making me want to linger longer in those bygone days.

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