Briefkaart aan Philip Zilcken by Carel Nicolaas Storm van 's-Gravesande

Briefkaart aan Philip Zilcken Possibly 1896

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drawing, ink, pen

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drawing

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script typography

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hand-lettering

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hand drawn type

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hand lettering

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personal sketchbook

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ink

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hand-drawn typeface

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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sketchbook art

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calligraphy

Curator: We're looking at "Briefkaart aan Philip Zilcken," a postcard possibly created around 1896 by Carel Nicolaas Storm van 's-Gravesande, housed here at the Rijksmuseum. It's rendered in pen and ink. My initial reaction is that the sender’s presence is strongly communicated here, both personal and immediate. Editor: Immediate is the right word. For me, the most striking thing is just how *ordinary* it is. This wasn’t designed as something to be appreciated in a frame. It served a purpose; it carried a message for a moment, likely composed very quickly in pen and ink. There’s a lack of pretense that makes it quite affecting. Curator: Precisely. The handwriting itself becomes a kind of symbolic expression. Note how the flourish of "Holland" at the top anchors the Dutch identity, yet it's mailed via "Deutsche Reichspost," signifying interconnectedness during that era. And the postal stamps themselves! Aren't they fascinating little emblems of bureaucratic control? Editor: Fascinating in how quotidian, maybe even bureaucratic is beautiful? Each stamp impression, the smudged ink, everything speaks to the transit of this card—its very tangible movement through systems of production, transport, and labour to end up wherever it did, and who was involved along the way. Curator: True, and in that vein, the act of writing is itself almost ceremonial, ritualistic, encoding a message that transcended the purely practical. Even now, it feels incredibly poignant. We see evidence here in the text of a commercial transaction, perhaps, but carried across the paper as though it had enormous human value and symbolic importance. Editor: Yes, but to go back to the stamps...They show the economic realities; the labor involved in processing mail, the industrial means to create stamps by the millions, that cross border commerce you mention... That's material culture right there on a little card! Curator: It truly makes you think of how our simplest means of communication embed layers of significance—economic, social, even spiritual. Editor: Absolutely. A beautiful reminder of art being embedded in everyday existence.

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