Matigheid c. 1576 - 1624

Francesco Villamena made this print, Matigheid, using the intaglio process. An image is incised into a metal plate, typically copper or zinc, using tools like burins for engraving, or acid for etching. The character’s expression is formed by the carving of tiny lines into the metal plate, each varying in width, depth, and proximity to create an impression of light, shadow, and volume. Look at the details in the folds of her dress and the produce in her lap, made from precise linear marks on the copperplate. The act of printmaking is tied to wider social issues of labor and politics. As a multiple, printmaking makes images accessible, spreading ideas and influencing public opinion. The skilled labor involved, from the artist to the printer, highlights the collaboration and craftsmanship inherent in this mode of production. Understanding the material processes and social context of Matigheid reveals the intricate relationship between art, labor, and cultural dissemination, challenging traditional notions of fine art by emphasizing the importance of making in understanding its full meaning.