Editor: This is an anonymous illustration from Adelphi, The Brothers. It’s rendered in simple lines, but it feels so theatrical, with the figures partially obscured by what looks like stage curtains. What do you make of this scene? Curator: This image, likely a woodcut, was meant for a mass audience, tied to the popularity of Roman comedies like those of Terence, adapted for a burgeoning literate public. The scene depicted invites us to consider how the play was staged, consumed, and understood in its time. How might this image reinforce or challenge societal norms related to brotherhood, performance, and viewing? Editor: That's fascinating, considering its potential audience. I had only thought about the immediate story depicted. Curator: Exactly. It's a reminder that art doesn't exist in a vacuum; it's always a product of its social and cultural moment.
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