Jule- og nytårskort 1945

Curator: So, we're looking at "Jule- og nytårskort," a Christmas and New Year's card created in 1945 by Axel Hou. It's a print, combining drawing and etching techniques, currently residing in the collection of the SMK, the National Gallery of Denmark. What are your first thoughts? Editor: Well, initially, I get a sense of, maybe, a theatrical moment captured in monochrome. There's a real dynamic interplay between light and shadow, which definitely adds a touch of drama, wouldn't you agree? Curator: Absolutely! The scene depicted is the Raising of Lazarus. The artist captures a crucial moment found in the Gospel of John, where Jesus raises Lazarus from the dead. That heavy tomb, that open door; it's not just about literal death, but speaks to spiritual rebirth. The very act of "coming forth." Editor: It’s such a personal way to convey festive wishes. Death and resurrection at Christmas! I guess rebirth is the real present after all. It’s rather brave, don't you think? Curator: Indeed! Given the year of its creation, 1945, so shortly after the end of World War II, the image likely resonated with themes of hope and renewal after immense hardship. The act of resurrection becomes an emotionally potent symbol. The etching medium also lends itself to creating strong contrasts. Editor: Yes, it feels symbolic. And also intimate, you know? As a greeting card, the gesture of Lazarus emerging, almost tentative, carries the message on so many layers. What do you make of that script right across the top "Lazarus kom herud!"? Curator: Yes, "Lazarus, come forth!" a clear invitation of renewal from the family. The visual language, steeped in tradition, reclaims familiar visual territory with such intimacy. Editor: Mmm, exactly. It makes one wonder, what are we inviting ourselves to emerge from, what might await, hopeful as it might be... a fresh perspective on how symbolic a festive card can actually be. Curator: Precisely. So this simple card bridges the personal and the universal. Editor: I suppose that's what all art does at the end of the day.