Rygvendte figurer, en til hest (Den Hellige Familie?) 1810 - 1873

This drawing was made by Wilhelm Marstrand sometime in the 19th century. With graphite on paper, Marstrand sketches a possible depiction of the Holy Family. The composition arranges figures in a frieze-like manner, packed tightly together. The lack of strong tonal variation shifts our attention to the linear structure of the drawing. Here, line is a signifier of both form and spatial relationships, creating a complex interplay between representation and abstraction. Note the tension between the figures facing away and those facing towards, producing a dynamic visual field. This tension destabilizes any singular reading, opening it up to multiple interpretations. Marstrand uses the formal elements of line and composition to create an intriguing scene that invites us to reflect on representation and meaning. This drawing offers us a space for continuous interpretation.