Ornament Guus de Vries 1894/ 1919 1919

This ornament, Guus de Vries 1894-1919, was made by Samuel Jessurun de Mesquita, sometime between those years. It's a woodcut, a monochrome exploration of line and form that feels both graphic and architectural. The stark contrast between the black and white isn't just about aesthetics; it's a way of seeing, a way of simplifying the world into essential shapes. Look at how each line, each shape seems deliberately placed, creating a sense of balance. See how the title fills the negative space? The overall effect is like a puzzle, where each piece fits perfectly to create a harmonious whole. It reminds me a little of the graphic work of someone like MC Escher – that same interest in spatial relationships. Woodcuts like this one remind us that art doesn't always need to be about representation; it can also be about pure, unadulterated form. The beauty of art is that it can be so many things to so many people. It's a conversation, a question, a possibility.