About this artwork
Editor: Here we have a portrait of Lady Elizabeth Grey, Countess of Kent, by Paul van Somer. The black dress is so striking against her pale skin! How do you interpret her poised expression and opulent attire? Curator: Well, the stark contrast definitely grabs you, doesn't it? I see a woman keenly aware of her status, but perhaps also a hint of melancholy in her eyes. It makes me wonder, what did she really think of all this finery? Editor: That’s interesting. I hadn't considered the melancholy. Curator: These portraits are fascinating because they tell us so much about societal expectations and individual stories woven together; it is a play between the public persona and private emotion, don't you think? Editor: Absolutely. I'll certainly look at portraits differently now.
Lady Elizabeth Grey, Countess of Kent c. 1619
Artwork details
- Dimensions
- support: 1143 x 819 mm frame: 1306 x 1005 x 75 mm
- Location
- Tate Britain
- Copyright
- CC-BY-NC-ND 4.0 DEED, Photo: Tate
Comments
http://www.tate.org.uk/art/artworks/van-somer-lady-elizabeth-grey-countess-of-kent-t00398
Paul van Somer came to Britain in 1616 and worked for Anne of Denmark, queen to King James (VI of Scotland and I of England). This portrait may relate to her death in 1619, as the sitter, who is dressed in black, was a favoured attendant of Queen Anne. Under her heart, Lady Kent wears a jewel with the crowned monogram ‘AR’, standing for the Latin Anna Regina (meaning ‘Queen Anne’). It is probably a closed miniature-case, as we know a very similar example was given by the queen to another lady-in-waiting. Gallery label, July 2024
About this artwork
Editor: Here we have a portrait of Lady Elizabeth Grey, Countess of Kent, by Paul van Somer. The black dress is so striking against her pale skin! How do you interpret her poised expression and opulent attire? Curator: Well, the stark contrast definitely grabs you, doesn't it? I see a woman keenly aware of her status, but perhaps also a hint of melancholy in her eyes. It makes me wonder, what did she really think of all this finery? Editor: That’s interesting. I hadn't considered the melancholy. Curator: These portraits are fascinating because they tell us so much about societal expectations and individual stories woven together; it is a play between the public persona and private emotion, don't you think? Editor: Absolutely. I'll certainly look at portraits differently now.
Comments
http://www.tate.org.uk/art/artworks/van-somer-lady-elizabeth-grey-countess-of-kent-t00398
Paul van Somer came to Britain in 1616 and worked for Anne of Denmark, queen to King James (VI of Scotland and I of England). This portrait may relate to her death in 1619, as the sitter, who is dressed in black, was a favoured attendant of Queen Anne. Under her heart, Lady Kent wears a jewel with the crowned monogram ‘AR’, standing for the Latin Anna Regina (meaning ‘Queen Anne’). It is probably a closed miniature-case, as we know a very similar example was given by the queen to another lady-in-waiting. Gallery label, July 2024