Christ Nailed to the Cross c. 16th century

Editor: So, here we have Altdorfer's woodcut, "Christ Nailed to the Cross." It's undated but incredibly detailed for its size. It feels almost…claustrophobic, with everyone crammed in. What's your take on it? Curator: Claustrophobic is a great word! The density echoes the emotional weight, don't you think? Altdorfer’s not just showing an event; it's as if he is asking us to confront the implications of faith, power, and sacrifice. Does the landscape reflect what’s happening here? Editor: It does seem like the natural world is reacting to the scene in a deep way. Curator: Exactly! This is where I find my personal connection to this work. When I feel overwhelmed, I, too, find myself turning to the world around me. I feel that same instinct at play here. Editor: That’s a perspective I hadn't considered, thanks!