John Lesley, éveque de Ross c. 18th century

Curator: This is Pieter van Gunst's engraving depicting John Lesley, the Bishop of Ross. Editor: The starkness of the monochrome palette immediately gives it a somber, almost austere quality. The octagonal frame, too, presents a curious geometric structure. Curator: Indeed, the framing device emphasizes Lesley's importance while also subtly positioning him within a historical lineage. The dog at the base, bearing a cross, alludes to loyalty and perhaps even martyrdom in the face of religious upheaval. Editor: That fidelity is further underscored by the dog's positioning—reverently looking up towards Lesley. It's a study in contrasts, the dog's soft curves against the hard architectural lines, and the ephemeral quality of faith against stone. Curator: The inscription above the dog seems to be an epitaph, a testament to his diplomatic and religious endeavors. Editor: Precisely, making the image more than just a portrait, it's a historical document. The textures, the subtle gradations in tone... it's a fascinating interplay between form and narrative. Curator: It is. Editor: It certainly is.