Tago Bay at Ejiri on the Tōkaidō c. 1834 - 1837

Hokumyō made this woodblock print of Tago Bay at Ejiri on the Tōkaidō. The image relies on the inherent qualities of the wood from which it's carved. Its grain influences the print's texture, adding depth to the waves and landscape. Each color represents a separate block, requiring careful carving and registration. These processes have imbued the artwork with a sense of precision, while also hinting at the labor-intensive nature of traditional printmaking. Hokumyō likely engaged with skilled traditions of woodcarving and printing, passed down through generations. These techniques belong to histories of creative practices and aesthetics, alongside those of craft and fine art. The work involved in creating such a detailed print was considerable, reflecting the economic and social structures of the time. By examining the materials, making, and context of this print, we can better understand its full meaning and appreciate the intersection of fine art and craft.