Pierre Jeannin c. 17th century

Editor: Here we have Jacques Lubin’s portrait of Pierre Jeannin. It’s a rather formal depiction; what strikes you about how Lubin presents him? Curator: It's interesting how Lubin uses the visual language of power and authority. The oval frame, the inscription "Le President Jeannin," the coat of arms—all contribute to constructing Jeannin's public persona. Who was Jeannin in the broader political landscape of his time? Editor: Jeannin was a prominent statesman in France. So you're saying the portrait isn't just about likeness, but about conveying his status? Curator: Exactly. It speaks to the role of portraits in shaping public perception and reinforcing social hierarchies. Lubin's image participated in the political theatre of its day. What do you make of its current location in the Harvard Art Museums? Editor: So the portrait's journey from political tool to museum object is itself a statement. Fascinating.