Evening Prayer, Muslim Father and Son, New York 1963

Curator: Looking at this 1963 gelatin silver print by Gordon Parks, titled "Evening Prayer, Muslim Father and Son, New York," what immediately strikes you? Editor: The quiet. Even though it’s a static image, I sense this deep, resonant stillness. The stark contrast makes it almost dreamlike. Curator: It's interesting you mention the contrast, as Parks skillfully uses light to focus our attention on the father and son, silhouetted against the bright window. Thinking about gelatin silver prints, what can that process tell us here? Editor: Well, this process—popular throughout the 20th century—allowed for relatively sharp images with a good tonal range, which Parks uses to enhance that feeling of intimacy, despite it being a posed shot for a photo essay. We are seeing an inexpensive and standardized photo process turned to document a family at prayer. This was not simply some spontaneous photograph snapped in the street. It takes effort and cost to make such prints. Curator: Exactly. It’s social realism at its finest, wouldn't you say? Parks captured something incredibly tender. The generational passing down of faith, in the midst of everyday life. It almost feels voyeuristic, but in a gentle way. Editor: Gentle, but deliberate. Look at the shadow cast on the bed— it gives depth and adds another layer. It isn't just documenting their prayer, it’s staging a commentary about devotion. Consider the material reality of 1963 New York. Think about the materials needed: silver, gelatin, the darkroom equipment and skills to use them… Parks made a point by bringing it all into view. Curator: It resonates so profoundly, even today, wouldn't you say? Beyond its historical context, that father-son bond…it’s universally relatable. There's a deep emotional resonance here that moves me, every single time. Editor: Absolutely. Considering the historical and material implications enriches the image rather than taking away from its emotional impact. Thanks for highlighting it for us. Curator: The pleasure was all mine. It always reveals new perspectives!