Vijftien lettermonogrammen (ABC-ABR) c. 1690 - 1691

Daniel de Lafeuille created these fifteen letter monograms using etching sometime before 1709. The printmaking process involves coating a metal plate with a waxy, acid-resistant substance, then scratching an image into that coating. The plate is then submerged in acid, which bites away at the exposed metal. Ink is applied, filling the etched lines, and the surface is wiped clean, allowing the ink to transfer to paper under pressure. Looking closely, we can appreciate the incredible skill required to create these dense, symmetrical designs. Each monogram is a unique arrangement of interlaced letters, showcasing both creativity and technical mastery. Printmaking allowed for the mass production of images, fulfilling a growing demand for decorative and informative art. Understanding the material and process allows us to fully appreciate the artistry and labor involved in creating these intricate monograms. It bridges the gap between craft and fine art, inviting us to consider the broader social and economic context in which they were made.