Broche à double usage c. 1935

This ornamental brooch, by W. Röhrig, is made of gold, platinum, diamonds, and other stones. It makes me think about the craftsperson and their hands, working so carefully with the minute. I imagine them patiently, skillfully setting each precious stone. The golden foliage, unfurling in delicate curves, is entwined with a wrought iron-like black metal, which gives a striking contrast between heavy and light, ornate and minimal. I can imagine the artist really thinking about the interplay between these materials, how the gleaming gold might highlight and offset the stark darkness of the ironwork. It’s almost like a painterly gesture, this setting of contrasting tones and textures to create a composition that has both movement and stillness. It makes you think about the conversation between painting and jewelry making.