print, charcoal
portrait
figuration
surrealism
genre-painting
charcoal
modernism
realism
Edward A. Sallenbach made this lithograph print, Okinawa Shower, sometime in the 20th century. Lithography is a printmaking process that relies on the contrast between oily and water-based substances. The artist draws an image on a flat stone or metal plate using a grease-based crayon. Water is then applied to the surface, adhering only to the areas not covered by the greasy drawing. Next, oily ink is rolled onto the surface, sticking only to the greasy areas of the drawing. Finally, paper is pressed against the surface, transferring the inked image onto the paper. The nature of the lithographic process, combined with the artist's skillful hand, gives this print a distinctive appearance. The rich blacks and subtle gradations of tone create a sense of depth and texture. The image is imbued with social and cultural significance, a seemingly mundane moment of respite for soldiers at war. Looking closely at materials, making, and context allows us to understand the full meaning of the artwork, challenging traditional distinctions between fine art and craft.
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