Triton and Eurynome 

Andrea Celesti made this drawing of Triton and Eurynome sometime between 1637 and 1712, using pen and brown ink with grey wash over graphite on paper. The effect of the artwork lies in its immediacy and its connection to traditional methods. Celesti skillfully uses traditional materials to infuse the paper with cultural and social significance. Look closely, and you'll see the marks left by the artist. This suggests that Celesti used a quill or reed pen, which creates varying line widths, and allowed for a free and expressive style. Also, the grey wash adds depth and shading to the figures, enhancing their three-dimensionality and emotional impact. The choice of materials and techniques reflects the traditional training, aesthetic values, and labor involved in the production process of Celesti's time. Appreciating the labor and skill invested in creating such drawings enriches our understanding and challenges the divisions between fine art and craft.