A partly naked bacchante seen from behind, facing right and holding an oval dish in her left hand, her drapery in her right, set against a black background inside a rectangular frame 1790 - 1825
drawing, print, engraving
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drawing
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neoclacissism
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figuration
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history-painting
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academic-art
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nude
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engraving
Antonio Ricciani's "Bacchante dell'Ereolano" (1790-1825), an etching, captures the essence of classical mythology. The piece portrays a bacchante, a female follower of Bacchus, the god of wine and revelry, against a stark black background. The bacchante, seen from behind, gracefully holds a dish in her left hand, while her drapery billows behind her in a dynamic swirl, creating a sense of motion and ecstasy. This print, housed in the Metropolitan Museum of Art, exemplifies the Neoclassical style that was popular in the late 18th and early 19th centuries.
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