H. Bonosa 1565 - 1630

Editor: This is “H. Bonosa,” an engraving by Antonio Tempesta, made sometime between 1565 and 1630. It’s quite small, but intensely dramatic, with so much happening in a contained space. What symbolic significance might you find in this kind of scene? Curator: An engraving like this acts as a vessel, doesn’t it? Filled with the stories and beliefs of its time, like cultural memory made visible. The image portrays the martyrdom of Saint Bonosa. The flaying hook to the left indicates earlier torments. Her unwavering faith is visualized as the halo surrounding her head, a visual shorthand for divine grace, even as the figures around her attempt murder. What emotions are stirred in you when considering how the divine is expressed here? Editor: It's interesting how even with violence, there’s still an effort to show her holiness through that halo. The action contrasts starkly with the serenity they’re trying to convey. Curator: Precisely. The halo, almost like a brand, ensures the reading of the image, solidifying the saint’s narrative within a very specific visual and theological framework. These kinds of symbols offered a continuous thread of meaning across generations. We are meant to both recognize and remember a very specific understanding of sacrifice and faith. Is there a more modern equivalent you can think of? Editor: I suppose the visual language of propaganda shares some common goals, ensuring messages are easily recognized and remembered through potent symbols and visual cues. Curator: Indeed. These images became ingrained within the culture of the time, influencing the viewers to embody certain values and beliefs associated with those symbols. Thank you, this offers us all an important perspective.