Mulld:Sake (Portrait of John Cottington) Possibly 1618

Editor: So this engraving, “Mulld:Sake (Portrait of John Cottington)," possibly from 1618, by Renold Elstrack, presents a striking figure. The man’s dress and pose feel performative, almost like a character from a play. How do we unpack the cultural references in a piece like this? Curator: Well, let's start with that performative aspect. Consider the image’s original audience. Prints like this were often consumed by a burgeoning middle class in London eager to participate in the cultural sphere. Do you notice how the text explicitly states what he intends to "proue," and to whom? Editor: Yes, the text at the bottom, “to proue me Courtier.” So, he's trying to perform the role of a courtier. Curator: Precisely. Now, consider the setting: the detailed cityscape. It's not just a backdrop; it situates him within a specific socio-political space—London. This character walks the "Strand" and "Westminster", announcing his presence. The chimney sweep in the text also hints to the realities that people sought escape from in those spaces. What do you make of all the objects and symbols he is carrying? Editor: He’s laden with items like a smoking pipe, what looks like hunting equipment, and a sword. These things signify status and leisure, don’t they? It's almost like he is a walking inventory of desired attributes. Curator: Exactly! This image is commenting on social mobility and aspiration within the urban context. Elstrack's portrait invites us to consider the role of visual culture in shaping identities and reflecting the complexities of class and ambition in early 17th century London. Editor: That's fascinating. It highlights how art functions within specific social and political currents to perform certain roles in popular imagination and perception. Thanks so much! Curator: It's been a pleasure, these layered social histories make these kinds of portraits endlessly enriching!