Cul-de-lampe met leeuwenkop by Claude Mellan

Cul-de-lampe met leeuwenkop 1639 - 1643

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Dimensions height 101 mm, width 134 mm

Curator: Claude Mellan's "Cul-de-lampe met leeuwenkop," dating from 1639 to 1643, is an exquisite engraving housed here at the Rijksmuseum. Editor: What immediately strikes me is the almost haunting balance of severity and playful ornament. There's a structural rigidity, yes, but tempered by these swirling Baroque flourishes. Curator: Indeed. Mellan was a master of line, evident here in the pure engraving technique—all form is described through variations in the width and density of the lines themselves, devoid of hatching or cross-hatching. It’s a display of virtuosic control. Editor: But what do you make of the…odd symbolism? We have the stylized lion head, almost Greco-Roman in its stoicism, and then this bizarre festoon beneath, fruit mingling with what appear to be olive branches. There is an inherent drama between organic and rigid elements. Curator: The lion, traditionally a symbol of power and courage, is rendered in a somewhat softened manner here, isn't it? Its usual ferocity is tempered, integrated into the decorative scrollwork. I believe that this is intended as ornament: it’s the tailpiece for a print or book. Editor: Of course, a subtle conclusion, in service of the text and imagery. Given that this piece likely marked the conclusion of some grand pronouncement, what kind of symbolism might we be seeing within these strange combinations? Victory? Sacrifice? Perhaps there is both. The leaves bring peace while the fruit could mean success and rewards? Curator: Intriguing, as this era delighted in layers of embedded meaning within its imagery. It might also simply be a celebration of abundance and protection offered by the lion’s strength, now made calm. Editor: Ultimately, what I find fascinating is how Mellan managed to achieve such textural complexity with just a single tool and such formal simplicity. It compels the viewer to slow down and study, uncovering these little, odd things, Curator: It’s a beautiful testament to the power of focused attention, indeed!

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