print, engraving
portrait
baroque
figuration
line
history-painting
engraving
Dimensions sheet (trimmed within plate mark): 20.3 x 14.4 cm (8 x 5 11/16 in.)
Curator: This print, created by Michel Lasne in 1656, is titled "Jean Loret". Editor: My immediate impression is one of intriguing detail and meticulous rendering, with the figure’s features and garb seemingly emerging out of the patterned background. It presents a figure that is not of particular wealth, though a figure of import, given his portraitization. Curator: Exactly. This work immortalizes Jean Loret, a key figure in the cultural landscape of 17th-century France. Loret was, in essence, one of the first journalists. He composed weekly verse newsletters, "La Gazette burlesque," which chronicled the happenings of Parisian society for the aristocracy. His work gave space to public discourse during the early days of newspapers and created an important information network that offered a specific, burlesque, narrative regarding everyday happenings and, more broadly, political occurrences. Editor: Yes, and we can observe how Lasne employed engraving techniques to establish a clear line structure, but also varied depth through intricate hatching, using subtle tonal graduations. What the piece does successfully is create textures that suggest opulence despite the print’s inherent flatness. Consider the lace at the collar and sleeves. Curator: Considering the medium and historical context, what strikes me is the role this print played in disseminating Loret's image. This portrait itself became a form of early celebrity culture and distribution of knowledge. Its existence served not only to recognize Loret but also legitimize and bolster a new and evolving form of news distribution and public writing. The gaze here and the textual information solidify his existence and cultural importance. Editor: Precisely, it acts as both artifact and herald. Analyzing its structural elements underscores the subject's formal pose against an almost patterned backdrop that is simultaneously distracting and focused. Lasne frames him at a slight remove that underscores his intellectual rather than corporeal importance. Curator: It’s fascinating how this single print encapsulates so many threads—the rise of journalism, celebrity culture, class representation, the development of printmaking techniques, and a sense of burgeoning societal awareness in the 17th century. This makes this engraving more than a portrait; it is a portal into early journalistic imaginaries and cultural distribution networks. Editor: Yes, from its construction of lines to the figure’s stoic face, the piece encapsulates both an era and the subject's pivotal role within it. The formal elements truly amplify the artwork’s historical relevance.
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