Portret van Rose Dupuis als Madame Dorval in La Mère Rivale 1823 - 1824

Alexandre-Marie Colin etched this portrait of Rose Dupuis, dressed as Madame Dorval, immortalizing a moment from "La Mère Rivale." Note how Dupuis points, a gesture echoing across centuries, from classical orators to Renaissance allegories of direction. It's a signal— a movement deeply embedded in our collective memory. Consider the orator's authoritative point in Roman sculpture, or how John the Baptist gestures towards Christ. In Dupuis's world, the gesture takes on a theatrical flair, a societal cue of her character’s wit and control. But why does this simple act resonate so profoundly? Perhaps it's the assertion of will, a subconscious desire to command attention and shape narrative. This act creates a non-linear, cyclical progression: resurfacing, evolving, and acquiring new meanings in distinct historical settings, reflecting the continuous transformation of shared cultural memory.