Demonstration of a newborn by Filipp Malyavin

Demonstration of a newborn 

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painting, oil-paint

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fauvism

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mother

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painting

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oil-paint

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impressionist landscape

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child

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acrylic on canvas

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group-portraits

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expressionism

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genre-painting

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expressionist

Dimensions 85 x 100 cm

Curator: Welcome. Today we’re looking at "Demonstration of a Newborn" attributed to Filipp Malyavin, likely rendered with oil paints, though a specific date of creation is not definitively recorded. Editor: Wow. My gut reaction is…intense. The colours, the faces... it feels almost theatrical, like a scene plucked from a very vibrant, slightly unsettling play. The red is so dominant, isn't it? Curator: Indeed. The intense colour palette is striking. Malyavin, associated with the Expressionist movement, often depicted peasant life, not always idealising it. He presented his subjects with raw emotion and dynamism, diverging from strictly academic approaches. Think about the role of social realism during this era in Russia and its effects. Editor: That explains the energy! It's not a calm portrait; it's got this wild, almost frenzied feel. The woman holding the baby…her expression is peculiar. And what's going on with the crone in the left? Curator: This work might represent a birth announcement or viewing, a demonstration to the community. Note how various reactions and emotions are present among the women. Consider their place within a patriarchal society and their complex support systems during childbirth. The image suggests the spectrum of opinions or beliefs within that setting. Editor: I see that. It feels communal but also…judgemental? Or perhaps…anxious. Like everyone is weighing in on this new life. You mentioned Expressionism - I see that so clearly in the distorted expressions. Curator: Yes, it's fascinating how Malyavin departs from typical idealized motherhood scenes, presenting a more complicated narrative influenced by evolving artistic and social forces of his time. Editor: Definitely not sugar-coating anything here! And in terms of technique... the brushstrokes are so visible. It gives everything a sense of movement, even chaos, perfectly matching the subject matter. You know, for me, as a non-historian, that makes it come alive so much more, it helps convey these complex dynamics on a human scale. Curator: Absolutely. And these considerations highlight how artwork intersects and reflects life in profound ways, encouraging diverse reactions and dialogues throughout various eras. Thank you for your perspectives. Editor: And thank you! This really makes me see and feel art from completely fresh angle.

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