Vase-bowl c. 1940
wilhelmkage
minneapolisinstituteofart
ceramic
studio photography
3d printed part
product fashion photography
ceramic
product design photgrpaphy
stoneware
wash background
yellow element
ceramic
nostalgic styling
watercolour illustration
This white ceramic "Vase-bowl" was crafted by Swedish artist Wilhelm Kåge around 1940. The piece is a testament to Kåge’s innovative approach to design, showcasing a unique form that combines a vase and a bowl. The minimalist design is characteristic of Scandinavian modernism, with its clean lines and functional simplicity. The vessel’s intricate shape and smooth, matte finish offer a subtle beauty, emphasizing the natural qualities of the material. It is currently located in the Minneapolis Institute of Art, a testament to its artistic and historical significance.
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Wilhelm Kåge began his career as a painter, receiving his initial training at the Valand Art School in Gothenburg and later studying under Johan Rohde in Copenhagen. As Gustavsberg's earliest modern designer (and artistic director from 1917-49) he produced a number of witty and elegant designs arising from his familiarity with the modern movements in painting and sculpture. In this work he has made a sly reference to Cubism, slicing the vase form in half and combining a vase and bowl into one unit as it might appear in a Picasso still life. The Surrea series included a wide range of cut and reassembled vases and bowls, some partly colored, some left undecorated. Kåge's lively imagination brought forth an astonishing variety of forms. The angularity of several geometric vessels in the Surrea series contrasts strikingly with the "soft forms" of organically shaped tableware produced during the same period. A porcelain vase with silver inlany from another one of his lines, the Argenta series, is also on display in this exhibition.
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