Ruïnes van de drie uitgebrande lijnbanen op de schans aan de Smallepadsgracht, 1680 by Laurens Scherm

Ruïnes van de drie uitgebrande lijnbanen op de schans aan de Smallepadsgracht, 1680 1690 - 1735

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print, etching, engraving

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baroque

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dutch-golden-age

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print

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etching

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traditional media

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landscape

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cityscape

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history-painting

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engraving

Dimensions height 225 mm, width 325 mm

Curator: This etching, made sometime between 1690 and 1735, is titled "Ruines van de drie uitgebrande lijnbanen op de schans aan de Smallepadsgracht, 1680" which translates to "Ruins of the three burned ropewalks at the rampart on the Smallepadsgracht, 1680". Editor: Immediately, I'm struck by the somber mood, this devastation rendered in such meticulous detail. It’s a haunting image. Curator: The work depicts the aftermath of a fire. In Dutch Golden Age art, the symbolism of fire is multifaceted. Editor: It seems like more than just an unfortunate accident frozen in time. Is there a social commentary here, or a reflection on the transience of life? Curator: Indeed. Beyond the immediate depiction of destruction, fire symbolizes purification and transformation. Consider the ropewalks themselves, essential to maritime power—their destruction disrupts commerce. The overall composition uses a before-and-after device to remind people of the destruction during periods of war. Editor: I see, so even in ruin, there’s a sense of the social and historical narrative embedded. The people still lingering near the charred remains add a layer of pathos to the scene. Curator: Absolutely, and the landscape context is critical. In the background, you'll note windmills. These, contrasting sharply with the ruins, could symbolize the potential for renewal and continued industry. Editor: Almost as if, even in loss, the engines of progress continue turning. Curator: Precisely. The visual vocabulary reminds its contemporary audience about strength and recovery. Editor: It brings a poignant awareness. Focusing on this piece also illustrates how we interpret destruction and renewal cycles and the social cost of war, or human disasters in general, which speaks to enduring symbolic forms of resilience and reflection across cultures. Curator: It's precisely through such meticulous depictions of specific events that broader societal values and beliefs come into sharp focus. Editor: Ultimately, the visual effect underscores themes of loss but equally demonstrates how social structures, persist even in the face of devastating events.

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